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03 Feb

How Do I Open A New Blog?

The new banner has making me rethink my whole blogging operation and I’m not sure what to do. Hence my writing this blog post in the hope that somebody might have a bright idea.

I’m tempted to ditch ‘The Spine’ identity. I chose that blog title nearly 10 years ago and it’s been as useful as it’s also been really unhelpful. I don’t like it when people call me ‘The Spine’ because it sounds a pretentious thing to call yourself. I’ve never liked that whole side of the internet were ordinary folk call themselves ‘OrcRanger’ or ‘NightshadeBladder’. At the best it sounds juvenile. At worst, slightly psychotic. I’ve never actually identified myself as ‘The Spine’. That was just the blog I write and it was only called ‘The Spine’ because it was originally meant to be a satirical news blog filled with backbone. Then, as it moved to become my own blog, I changed it to mean ‘spine’ as in ‘thorn’. It was meant to be sharp and prickly.  Now I’m not sure what it means.

I want a change because I particularly get annoyed that some people still confuse me with ‘The Spine blogger’, an infinitely more popular blogger than I’ll ever be. She/he has been writing a blog about orthopaedics (I know!) since 2009 (I started to blog in January 2006) and the appeal of that blog just baffles me. The latest post alone has 134 comments! I’d make deals with the devil to get that kind of following. That one post has more comments than I get in an entire year of writing/drawing a blog post every single day. It’s the kind of statistic that just makes me want to give up because it makes me realise how little popular ‘magic’ I have. I’m either a personality free zone (very likely) or I’m just not intelligent enough (certainly true). I know I jump around too much. My blogging follows my interests and projects, though satire, comedy and my love of writing, has always been somewhere in the mix.

In addition to The Spine Blogger, I have other identity confusions on Twitter. The only time people talk to me there is when they confuse me with The Spine, Britain’s most brutal race. Messages to me usually read ‘@TheSpine nearly killed me today’  or ‘@TheSpine is evil’, neither of which refer to me but refer to the 268 mile race. It’s really annoying being less popular that the abstract concept of a long distance mountain race that leaves people needing hospital treatment.

All of which makes me think it might be time to change my blog around. I want to move to a blog that more closely identifies with me and not this mysterious ‘Spine’ character which I’ve never really played at all. I think if people think ‘Ah, I’ll visit David Waywell’s blog’, they might see me as a real person and not as this strangely disconnected voice coming from behind an oddly named blog. Because, the truth be told, I write this blog because I like talking to people and I like people talking to me. I write it to make friends and, truth also be told, I make very few.

So, I’m not sure how I might do this. If I moved to a more suitable domain name, I wouldn’t get the traffic this blog gets each day simply on account of it having been around so long. Google wouldn’t be so kind because my Pagerank would reset to the lowest. Could I link two blogs under one domain? Should I change the name of this blog even if that doesn’t match the domain name? Should I post to two sites concurrently? I have no idea if I’ll do this but I’m sick of being the least successful ‘Spine’ around. I think it would be rejuvenating being the most successful version of me that I can manage given my limited ability and resources.

The question is: how to do this right and not find myself sitting on this side of a blog that would lucky to get three hits a day?

03 Feb

When God Met Stephen Fry

The response to Stephen Fry’s rant against God has been telling. What Fry said about God wasn’t exactly profound. It was no more than I’d hope any articulate atheist, agnostic, or even believer would ask when faced by their maker. What he said was a pretty standard attack on the cruelty of God and has been expressed so many times before to make this latest example seem pretty trivial. The reason it isn’t trivial, however, is that it was expressed by Stephen Fry and some people’s response seems to be one that would prefer if we phrase the question a different way. What would God say to Stephen Fry? Would God ask: what was it like working on The Hobbit? How did you get so many Twitter followers? Are you really as all knowing as you seem on QI or do you have the answers piped into your ear?

It’s perhaps a symptom of the terminal decline of intellect in our postmodern hyper-celebrity-adoring age that even a mediocre attack on religion should receive such coverage. When a philosopher makes a sustained attack on God, their words are rarely reported and, certainly, never reported at such length. Richard Dawkins is quite possibly the most outspoken, well known, and ‘followed’ atheist of the moment and yet even his outbursts never receive such prominence, even in the broadsheets.

Again, it would appear that we are less interested in what somebody says and more concerned with the person saying it. It’s a psychological response to how we view our fellow men and women. I know it myself because I’m not immune to doing the same thing. How I think about, for example, Ralph Steadman is very different to how I think about some anonymous cartoonist whose work I find on the web and whose style I particularly like. Steadman has an authority which the other cartoonist lacks and there has to be a process of familiarisation before another cartoonist becomes, in my eyes, quite so canonical.

The same is true of writers. I might read something by Will Self and enjoy it but it means something different to an article which doesn’t have such a high profile name attached. There’s something in ‘celebrity’ or, at least, ‘being known’ that carries an air of authority. Stephen Fry’s rant about God was an authoritative  pronouncement that is far more significant than any learned paper written by a respected but little known professor of theology. It was significant because we know everything about Fry and this latest pronouncement fits into that known background. His is a life narrative being written in the public space. This latest event is a twist in that tale.

The reasons for this are probably layered into the collective psychology our society. It has something to do with the explosion of communication that happened over the past half a century. There is simply too much communication and no single person can ever hope to hear it all. Celebrity is the function that filters out the noise. Yet lost in the noise is the articulate and sane, the wise and the learned. All we hear are the trivial but loud. And that’s where the problem lies. Stephen Fry’s words, whilst neither dumb nor particularly profound, were loud. They were loud simply because he is Stephen Fry. His voice booms louder than any other. Louder too, it seems, than the voice of God.

If I met God, I think my first question would be: why did you create Stephen Fry? But, then, I suspect God might be thinking the same thing.

Yet if there is a God, then perhaps it was God who brought mugging victim Alan Barnes to the public’s attention. God moves in mysterious ways and, in this instance, the mysterious way was beautician Katie Cutler who set up the appeal to help the sixty seven year old after he was knocked to the ground by a mugger resulting in a broken collar bone. The fund was aiming to raise £500 but currently stands at £322,899 with 24,322 raising that money in only 5 days.

Yet God didn’t work quite so mysteriously in the case of Paul Kohler who was ‘savagely’ beaten by four burglars. He was in the papers this last week after four Polish immigrants were jailed for the assault which left the university lecturer with a fractured eye socket, jawbone, nose and his facial bruising was so bad that he was unrecognisable.

There are, of course, stark differences between the two cases and a clear reason why Mr Barnes’ story touched the nation’s heart as well as its purse strings. Yet is it right to ask what kind of God would make Mr Barnes suffer a life with his disabilities but wrong to ask why the media highlighted one case over all the other sad stories that routinely pass for reality?

Nobody asks that because none of it ultimately means anything. Even the loudest bray of stupidity ends like the utterance of the wisest thinker. It’s all meaningless noise and life is just one hellish lottery played by a blindfolded gambler with the odds stacked very much against him.

02 Feb

A Gag Machine Update

It’s only been a week or so but I’m already delighted with people’s response to The Gag Machine. It’s also been great/surprising/motivating to hear back from real users. Google’s engine has now kicked in and hits are steady and slowly growing. Actually having sales also means that I can now justify the time to update The Gag Machine with new features.

That’s the reason why the first big update has just gone live and I think it’s my favourite since I started. I’d originally conceived ‘The Gag Machine’ as a small tool to use beside other software. However, when a user emailed to suggest that I make it full screen, I realised that it would give me chance to really expand its functionality. This new update introduces an optional full screen mode which has really pleased me with how it’s turned out. I might be the coder behind this project but primarily I’m its chief user and I’m excited with anything that helps me come up with more ideas for my cartoons or stories. Before I extend the functionality even more, my next job will be to come up with more ‘gag packs’. The key behind this project is definitely the data. I’ve already discovered that the more selective the data, the better and more consistent the results.

Anyway, to mark this new update, I’ve made a shorter introduction video covering the basic functions of The Gag Machine.

Of course, if you’ve downloaded an earlier version (or are one of the enlightened people who have so kindly supported me by buying it), then please download the latest version and give it a try. Ideas and suggestions are always welcome. If you think this could be software for you but it’s missing some key component, then please email me your suggestions. I’m looking to make this useful to anybody who wants to use it.

02 Feb

A Rare Stan Hit

StanLands

I rarely get hits from people Googling for ‘Stan Madeley’ so when I do send out a Stan letter, I keep an eye out for hits. It’s usually a bad sign. It means that a letter has been read, questions raised, and then a web search has resulted in a letter going straight into the bin. Well, I tried my best, though on reflection, why Sky Broadband and not the usually BBC IP address? Perhaps there’s still chance I’ll get a reply…

02 Feb

The Joke Machine Perhaps

Worked on a cartoon last night but fell asleep before I could finish it. It means that I’m a bit light on material to post today and I’ve a dozen things to do so I haven’t time to write a long essay on the newly discovered Michelangelo bronzes or 50 Shades of Grey or Stephen Fry and God or any of the things currently in the news. Shortly I’ll have to nip out to Tesco to see if my nemesis is on the till. Before then, I have code to write.

Over the weekend, The Gag Machine underwent a little update. Unlike a lot of software which is written by people who don’t use it for people who need it, The Gag Machine is written by the person who needs it and offered to people who might want it. It’s why I’m happy to leave it as a quiet backwater of the internet. I’ve not yet mastered it enough myself that I’d want *every* cartoonist buying it and using it. The key seems to be finding the magic number of words to combine in an idea. It can work with up to seven fields but two seems to be the best for quick ideas when I’m really tired. Early in the day, three and four can work really well.

I’m just finishing the new update which has added a full screen function, which means I have more screen real estate to deal with and extra functions to write. I’m eager to spend some time using it this afternoon but an American friend suggests I change the name since he thought gag had something to do with strangulation. I have to rethink websites and logos. The Joke machine might have been a better title but I don’t know if I can be bothered changing it now. Not when I have so much to do and one pair of hands is about four hands too few.

01 Feb

Various Unrelated Thoughts

I wish I didn’t have to program, though I know it’s entirely my choice. How paradoxical does that sound? It’s my choice to do something I wouldn’t choose to do. My life has always been like this. No matter what I’ve accomplished, it’s always my computer skills that people want or demand that I use. I wish I could just spend my days writing but there’s no money to be had in writing. Not here. Not outside London. Possibly not inside London unless your mother was a columnist and is happy to land you a gig on the nationals. I can’t cartoon well enough to earn money that way. So, I’m stuck trying to brush up on the only thing I’ve ever been slightly good at and for which there might just be a demand, even though deep down I don’t actually enjoy doing it.

Or perhaps isn’t the right phrase. I do enjoy it but I enjoy it too much. My interest in programming is something I shouldn’t feed. It makes me too distance, uncommunicative. It feeds the very part of me I’m sure is completely Asperger’s. Sometimes, it’s like giving a junkie a needle. Computers are my needle.

Today I spent pulling my hair out in frustration. I’d wanted to write and draw but I forced myself to learn to program in ‘Windows Presentation Framework’. To the non-geek, programming is usually done in one of a few languages. The most popular is probably Java but the use of C# (pronounced C sharp) is rising and that’s what I use. However, the language is only half of the business of being a programmer. The language you use to code is actually communicating with something bigger and more powerful. I suppose it’s a bit like knowing French and being able to order an army around the field. The ‘army’ I’ve recently been ‘commanding’ was called Windows Forms and it was an easy thing to do. I’d say ‘Create a window’ and it would create a window. I’d say ‘When somebody clicks on this button, count the number of beans in this pile’ and that’s what it would do. It was easy. In its way, it was fun.

I’m still ‘speaking’ in C# but I’m no longer using Windows Forms which is considered old fashioned. Microsoft want people to use this WCF system and, frankly, it’s a royal pain in the arse. Somebody said it doesn’t so much have a ‘learning curve’ as a ‘learning cliff’. It’s monstrously complicated to do even the simplest things. I finally have a basic program working but took me all day to do something that in Windows Forms (the old technology) would have taken me an hour.

Wish I could just write for a living but doesn’t everybody? Everybody believes they can sling verbs and nouns together and produce readable prose. The truth is that so much of the prose I read is written by people with a cloth ear to the nuances, flows, and beauty of the English language. Thank god fewer people can code but, then, even that’s not as rare a thing as it once was. I figure there’s some guy in India who does everything I do but at a lower price. I’m plagued by that guy in India. The bargain bucket me.

***

I was bought a gift today. I’d been wanting to play Assassin’s Creed Unity for a while but I’d dismissed it because I’d read so many bad reviews. No game has received such bad press and has been perceived so poorly. However, it was on sale and I’m lucky enough to have somebody who cares enough about me that she keeps my spirits raised with the occasional game.

Tonight I spent three hours playing the unpatched version and about half an hour on the patched version. I have to say: either patched or unpatched, Assassin’s Creed Unity is a stunningly good game. Of course, there are the occasional glitches but, based on my experience of the game, they are so mild as to be completely forgivable. It’s not even a matter of praising the glass half full rather than the glass half empty. The game is brimming with moments where I’m sitting there just spellbound. Perhaps it’s because I’ve always loved that period of the late eighteenth century. Revolutionary France fascinates me because it was an expression of those forces I’ll be been waffling on about in subsequent paragraphs. I also love Paris, Gothic architecture, the novels of Dumas and anything that involves a sword fight. For me it’s the best game I’ve played in a long time and it just feels like it’s opening up into something very special. I have no idea where the criticism has come from. Perhaps people were playing a different game. Makes no sense to me. Ubisoft have just become my favourite developers again.

***

As I settle down for the evening and try to figure out what the hell I’ll draw tonight, I notice that ISIS have killed another hostage. Another journalist killed for doing what journalists do. This is an obvious thing to say but I’ll say it anyway: ISIS is very different to anything we’ve seen before. There might have been equally bad pockets of nihilistic ideologies in recent history. My mind goes back to the atrocities committed by the Khmer Rouge. In Africa, we’ve seen genocide in places like Rwanda. Yet for over half a century, it’s the Nazis who have been our measure of the worst forms of human barbarism. That said: the current situation around Syria and Iraq feels so very different. There was always something deeply rational about the Nazi blood cult. It’s why it’s so often associated with Nietzsche who wrote about the irrationality of compassion. They mechanised killing in a way which, had it been any other discipline, they might have been considered Modernists. ISIS are not Nazis. There is no reason to ISIS. There’s a feral cruelty about everything they do, as though some collective adrenal gland has gone bad. In that sense, I tend to think that Boris Johnson was right in what he said today. This isn’t just a bad ethos or bad ‘thinking’. It’s pathology. It’s self-abuse. It has the stink of postmodern. It’s death for death’s sake.

I’m beyond thinking I’ll ever understand the Middle East. This last week there’s been so much criticism about our government lowering our flag to honour the dead Saudi king. We’re rightly appalled at Saudi regime and the brutal punishments they inflict when people try to express their right to free expression. Yet the reality is that none of us would want the lid to come off that tinderbox of tribal rivalries. Was it naive of anybody to believe that by taking down Saddam that democracy would flourish in the region? Freedom in anything is frightening but it takes the truly enlightened to enjoy it. With the freedom to do anything comes the potential of chaos. It’s the great paradox, I suppose, that to enjoy freedom you also have to accept a self-imposed restraint. Again (I always make this point), it is the thing Conrad expressed so profoundly in ‘Heart of Darkness’. Civilization is founded upon a lie but that lie is crucial is we’re to keep our civilization. What ISIS prove is that some societies are not mature enough to deal with freedom. In the place of one brutal dictator, they would put a thousand brutal despots, each interpreting a desert fable as though it were an eternal truth. I don’t hold the UK or America apart from that truth. I’m generally a Republican but there’s a small part of me that realises that a Monarchy might at least impose a sense of order upon the country. For everything the monarch represents, there’s the truth that there’s all the things they don’t represent which would come to the fore in a Republic. There’s also the fact that when you destabilise any system, you should be prepared for the long process of it finding a new balance. Revolutions are not things you’d really wish upon any people.

I always think of it in terms of my gut. I sometimes have a tricky gut. Since I was a child, I’ve always had problems with some foods. It makes me cautious about what I eat. Friends and family mock me because I always eat the same things but I view my stomach as a system. Disturb its equilibrium and it’s a sod to get it balanced again. So much of the world works the same way and the sad reality is that equilibrium is often maintained through hellish forces. ISIS might itself be a hellish force which will produce a new equilibrium. I’m not sure. I just don’t know what hellish force can come along and silence them. I’m not even sure we want to know what hellish force could silence them.

31 Jan

A Bit of Andy Kaufman History And One Damn Funny Story

I have to recommend this to you if you’re not too easily offended. It’s the latest podcast by the great Gilbert Gottfried and is an hour and a half with Bob Zmuda. I guess that neither is a household name here in the UK and this whole thing probably needs a little preface in the form of a brief history of American standup comedy.

Gottfried is one of my favourite comedians, though I’ve not had the chance to see much of his work beyond Youtube. He’s just not a big star in the UK. I have no idea how big he is in the US but he’s one of those comics that I just can’t resist watching. I love his voice, his facial expressions, his laughter, his jokes… Most of all I love his daring. He’s just out there in places where most comedians can only dream about going. I think I’ve posted this before but it’s one of my favourite things on the internet and is itself definitely not safe for work. It’s Gottfried’s audiobook version of ’50 Shades of Grey’. What I love about this is that it cuts through all the precious bullshit that’s spoken about that damn book and he reads it exactly how it reads on the page.

So, like I was saying, his latest podcast is devoted to Bob Zmuda who was Andy Kaufman’s writer and friend.

Andy Kaufman, for those too young to know their comedy history, is simply one of the great oddballs of American comedy. He’s most famous for his role in Taxi but his live comedy is as far left field as left field goes. Example:

Kaufman died tragically young though stories continue to persist that he faked his own death. HIs life was the subject of the excellent 1999 Milos Forman film, Man on the Moon, with Jim Carrey as Kaufman. He was also the Andy Kaufman of the REM song the same name.


So, Zmuda was his friend and writer and he continues to add to the Kaufman legend by appearing as one of Kaufman’s more famous characters called Tony Clifton. Tony Clifton is a bit hard to describe but he’s a bit like Dean Martin crossed with Sir Les Patterson and then with the debauchery cranked up to 11. Example.

Clifton is deeply repulsive, which makes the story that Zmuda tell all the funnier. It begins about the 14.50 mark and is about time Jim Carrey was invited to the Playboy mansion by the star struck Hugh Heffner. Like I say, it’s not for the easily offended. Definitely NSFW. The details get pretty pornographic but it’s hilarious and like the best comedy, revealing about human nature, in this case, the worst kind of human nature involving celebrity .

 

30 Jan

The New Banner

As you can see, I’ve started to doodle a new banner for the blog. I’ve always wanted a completely hand drawn banner but I’ve never thought my skills were at the point where I could pull it off. I’m still not sure my skills are the at the point where I can pull this off. I intend to work on it slowly, perhaps adding things that have relevance to the blog. Perhaps things that have no relevance to this blog. The tortoise was a mistake and will be removed tonight and something else put in its place. I have no idea why I added the tortoise. It was very late and I have a lot of space to fill.

I did think of adding virtual likenesses of anybody who leaves a comment but I had second thoughts. Firstly, I don’t know what anybody looks like and, secondly, I don’t want to put off anybody who might be thinking of leaving a comment. Besides, what would a ‘Radical Rodent’ look like? With the exception of the guy on the right who looks (very vaguely) like me and the woman prodding ‘me’, who is a bit like my nemesis from Tesco, none of the other characters are meant to resemble anybody other than the generic stereotypes I constantly seem to come across. Well, okay. Perhaps the guy flying the drone might be my perception of what Barman looks like but that’s a vague ill formed thought and not worthy of pursuing.

Today: I have no idea what I’m doing. I’m making very little headway programming with WPF. I should get into it but my spirits are lacking. Yesterday was an odd day. It reminded me how much fun I used to have working on my spoof letter project. Today I need to be more productive. Deep breath. I should work on figuring this WPF out. I can’t let it beat me.

29 Jan

The Tim Marshall Letter

Well, I found a stamp. My ‘Tim Marshall’ letter has gone. It’s now on the long two hundred and six mile journey to London and BBC headquarters where I hope (but doubt) it will cross the desk of James Harding, aka ‘Harding the Hack’, aka BBC’s Director of News and Current Affairs. I felt quite nostalgic writing the letter. Perhaps there are lots of crazy people out there who write letters. I’ve never considered myself one of the ‘crazies’, though no doubt some people have questioned (and will question) my sanity. The ‘comedy’ is merely the justification for writing otherwise serious letters which, in truth, it really would be mad to send to people in authority since, in reality, what are our opinions really worth to them?

At one time, I was writing three letters a day and I did that like a religion for about 18 months. It cost me a small fortune in stamps but I think I learned quite a bit about letter writing. I find writing them a wonderful outlet. In them, I become the person I wish I could be. Gone is the indecisive man who cares too much about his work yet questions himself to the point of impotent indecision. Instead, I adopt this strangely confident voice which isn’t my own. I love calling people by their Christian names and being chatty and informal and terribly direct. My letters have a cocky swagger which isn’t me but probably is me at some deep level where the id rages. I suppose in a way they’re the expression of my rebelliousness. I refuse to address anybody other than as a fellow human being. In that respect, letters are wonderfully egalitarian and an expression of our simple shared humanity.

Perhaps I’ll get an answer. Perhaps I won’t. My success with the BBC has always been around 50/50. Some of them clearly enjoyed my letters. Others, by their silence, either didn’t or never received them. I suspect quite a few of them suffer that terrible dullness of ‘professionalism’ which means they take what they do far too seriously to understand the serious edge to my apparently trivial letters.

Printing the letter has itself been quite the struggle. I haven’t used my printer in a long time and I was disappointed to discover that I didn’t have any yellow ink left. I use an old Canon printer for which I used to buy cheap cartridges without security chips. I had some reprogrammable security chips I could stick in them using a chip reprogrammer. It saved me a fortune over the years but now I find I have a draw full of yellow ink cartridges but no chips. Even if I had the chips, I think my reprogrammer has bust. Stan’s head came out looking purple. It means I couldn’t print my letter with the usual handsome face at the bottom right corner.

NorthernerStrange looking at this face. I got such mileage from such a simple combination of a comb-over and Richard Madeley’s face. I had such great hopes for those books. I still maintain my second book is even better than the first and the first was the best thing I’ve ever done. Poor Stan. Staring into those big bright optimistic eyes, it’s hard to believe that so few people got the joke. Perhaps Jim Harding (or his PA) will. Perhaps he’ll be on the phone to Tim Marshall over the weekend and he’ll stop the world travelling even further down the road towards the banal and bland. Probably not. The point is: I tried my best and I can do no more.

Wish I could go back to letter writing. Of all the things I’ve done, it was the only one where I actually felt quite at home.